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Title Technology and Language: interdisciplinary open-access scientific journal. — Т. 6, № 1 : Mediaopera. – 2025.
Organization Санкт-Петербургский политехнический университет Петра Великого
Imprint Санкт-Петербург: СПбПУ, 2025
Collection Общая коллекция
Document type Other
File type PDF
Language English
Rights Свободный доступ из сети Интернет (чтение, печать, копирование)
Additionally New arrival
Record key RU\SPSTU\edoc\76290
Record create date 6/17/2025

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  • Contents
  • Premiering a Mediaopera. On-Site. Online.
    • REFERENCES
  • Opera as an Act of Love
  • Everything You Wanted and Didn’t Want to Know about Mediaopera: A Cryptophonic Memoir
    • INTRODUCTION
    • EINSTEIN & MARGARITA
    • THE PLANET PI
    • PINK MOUSE
    • THE DUEL
    • THE ALPHABET
    • APPENDIX
    • REFERENCES
  • From Eisenstein to Einstein: The Ultimate Guide to Mediaopera
    • WHAT IS MEDIAOPERA?
    • FROM MONTEVERDI TO WAGNER
    • IN SILENT-FILM HELL
    • SERGEI EISENSTEIN
    • FELLINI, HERZOG AND VISCONTI: OPERA IN A CLASSIC ART HOUSE
    • THE MEDIUM IS THE MEDIUM: OPERA AND VIDEO-ART
    • OPERA AS SOUNDTRACK
    • A HIDING PLACE FOR THE MUSICAL AVANT-GARDE
    • PSYCHEDELIC METALS BY FAUSTO ROMITELLI
    • MEDIAOPERA-EXPERIMENTS IN RUSSIA
    • IRAIDA YUSUPOVA
    • THE PINK MOUSE
    • IN LIEU OF A CONCLUSION
    • REFERENCES
  • Mediaopera and Digital Opera: Musical Conceptualism and Modern Technologies
    • INTRODUCTION. OPERA AS A MEDIA GENRE AND SPACE FOR NEW TECHNOLOGIES
    • DISCUSSION. MEDIAOPERA, OR MUSICAL CONCEPTUALISM IN RUSSIA: ART AS AN IDEA
    • RESEARCH RESULTS. MEDIAOPERA: BETWEEN EARLY RUSSIAN AVANT GARDE, POSTMODERNISM AND MASS CULTURE
    • DISCUSSION OF THE RESULTS. MEDIAOPERA AND DIGITAL OPERA: CONTINUED DEVELOPMENT OR DIFFERENT FORMS OF THE GENRE
    • CONCLUSIONS ABOUT THE GENRE’S PROSPECTS
    • REFERENCES
  • The Piano as Therapeutic Participant in the Drama of Pink Mouse
    • INTRODUCTION
    • TIMING: 0.00
    • TIMING: 0.22
    • TIMING: 0.40
    • TIMING: 0.50
    • TIMING: 1.57
    • TIMING: 2.50
    • TIMING: 3.01
    • TIMING: 3.48
    • TIMING: 5.15
    • CONCLUSION
    • REFERENCES
  • And the Band Plays On – Remarks for an Aesthetics of Persistence
    • A PARADOX OF PHILOSOPHICAL AESTHETICS
    • CHEMISTRY, TECHNOLOGY, AND THE SENSATION OF TONE
    • HERMANN VON HELMHOLTZ AND CHARLES IVES
    • THEREMIN, SYNTHESIZER, AND MEDIAOPERA
    • REFERENCES
  • Recombinant Agency. Divine Comedy Meets Upcycled Comics Art in Pink Mouse, a Meta-Mediaopera
    • INTRODUCTION
    • DIVINE COMEDY AND MEDIA REVENANTS
      • Alice in Wonderland, or the Male Gaze Revisited
      • Digital Afterlife
      • Humanity’s Sublimated Voice
    • UPCYCLED COMICS ART
      • Pink Mouse’s Ontological Status
      • Mixed-Reality: Heroes/Villains
      • IP and AI
    • META-MEDIAOPERA
      • Recombinant Agency
      • Human Skeuomorphs
      • Pink. Mouse.
    • CODA
    • REFERENCES
  • Speculative Technologies: Further Dreams of Technical Reason
    • REFERENCES
  • „About Orffyreus' gift I have been keeping, / at the same time laughing and weeping.“ The Perpetuum Mobile – A Small Phantasmagoria from the Eighteenth Century
    • A TECHNICAL DREAM OF REASON
    • IMPRESARIO OF THE MACHINE
    • CLIMAX AND ANTICLIMAX
    • SOMETHING FOR NOTHING
    • REFERENCES
  • Nikolai Chernyshevsky's Perpetuum Mobile – From Technical to Social Utopia
    • REFERENCES
  • The Electronic Matchmaker: Finding the Optimal Couple in the Late USSR
    • ВВЕДЕНИЕ
    • “ОТ НАРОДНОГО ХОЗЯЙСТВА – К ЖИЗНИ НАРОДА”
    • ОТКРЫТИЕ ОДИНОЧЕСТВА В СССР
    • РОЖДЕНИЕ “ЭЛЕКТРОННОЙ СВАХИ”
    • “ЭЛЕКТРОННАЯ СВАХА” ВОЗВРАЩАЕТСЯ
    • ЗАКЛЮЧЕНИЕ
    • СПИСОК ЛИТЕРАТУРЫ
    • REFERENCES
  • Philosophy of Technology from a Cyberfeminist Perspective
    • INTRODUCTION
    • FEMINIST EPISTEMOLOGY
      • Peano Curve
      • Gendered Metaphysics
      • Whose Knowledge?
      • Posthuman Becoming
      • Quantum Ontology?
    • SOCIAL HISTORY OF ALGORITHMS AND PRACTICES OF FEMININE LABOR
      • Invisible Labor
      • Weaving as Technology
      • From Mega Machines to the Feminization of Technology
    • RE-PROGRAMMING REALITY
    • CULTURAL SOFTWARE
    • REFERENCES
  • Unstable Users: Coordinating the Configuration of Digital Objects and Projects
    • INTRODUCTION
    • INSTRUMENTS, INTERFACES AND INSTITUTIONS: THE WAYS OF ORDERING DIGITAL OBJECT
    • DIGITAL HUMANITIES PROJECTS: IS THERE A USER FOR THE SCIENCE AND TECHNOLOGY
      • Digital Humanities (DH) Projects as a milieu
      • Institution, Infrastructure, Instrument: how to Imagine an Instruction and Interface
      • Unstable User in Digital and Humanities Context
    • APPENDIX
    • REFERENCES
  • Speculative Trainers: Large Language Models and Techniques of Affirmative Speculation
    • INTRODUCTION
    • LLMS TODAY
    • ROLEPLAYING BEYOND THE HELPFUL ASSISTANT
    • LLMS AS CO-SPECULATIVE (IN PRINCIPLE)
    • TRAINING AFFIRMATIVE SPECULATION WITH LLMS
    • FIELDSHIFTING: OPENING PORTALS TO ADJACENT
    • POSSIBLE WORLDS
    • SYMPOSIA FROM ELSEWHERE: SPECULATIVE CONGRESSES AND ADJACENT EPISTEMES
    • RHIZOMATIC INQUIRY: CO-RESEARCHING AND
    • SPECULATIVE FILLING
    • FICTIONAL DIVERSIONS: ENJOYING THE HALLUCINATIONS
    • THEORETICAL FABULATION: STIMULATING FIELD INVENTION, DREAMING NEW THEORIES
    • CONCLUSIONS
    • ANNEX
    • REFERENCES
  • Содержание

Technology and Language: interdisciplinary open-access scientific journal = Технологии в инфосфере : междисциплинарный научный журнал открытого доступа / Санкт-Петербургский политехнический университет Петра Великого. — Санкт-Петербург: СПбПУ, 2020-. — Периодичность: 4 раза в год. — Выходит с 2020 г. — Загл. с титул. экрана. — Свободный доступ из сети Интернет (чтение, печать, копирование). — Электрон. журнал. — Текст: электронный

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