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Аннотация
This book explores culture, memory, and creativity in acting and plays in Tamajaq-speaking, Muslim, semi-nomadic Tuareg society in northern Mali. Rasmussen analyzes how Tuareg actors negotiate cultural memory and encounters in communities, caught historically and currently between political violence and precarious peace.
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Оглавление
- Cover
- Persons of Courage and Renown
- Persons of Courage and Renown: Tuareg Actors, Acting, Plays, and Cultural Memory in Northern Mali
- Copyright page
- Contents
- Acknowledgments
- Introduction
- Arrivals, Departures, and Returns
- Orientations: Remoteness, Connections, Dispersals, and Gatherings
- Acting, Performance, and Culture: Preliminary Remarks
- Organization of the Book
- Notes
- Part I: The Actors, Verbal Arts, and Performance
- Chapter 1
- General Background on the Tuareg, the Kel Adagh, and the Town and Region of Kidal
- The Town of Kidal
- “When I Compose, This Gives Me the Desire to Live”: Atakor’s Story
- Performance Venues, Media, and Cultural, Social, and Political Life in and around Kidal
- Sum-Up of Preliminary Insights
- General Background on the Tuareg, the Kel Adagh, and the Town and Region of Kidal
- Chapter 2
- Situating Acting and Creativity in Culture, Place, and Memory
- Creative Inspiration to Perform in the Space of Essuf/Tenere
- Creativity as Emergent and Subjective
- Sum-Up
- Note
- Situating Acting and Creativity in Culture, Place, and Memory
- Chapter 3
- The Poetics and Politics of Aesthetic Style and Genre and the Ibaraden Actors
- Joking by Mahmoudan, the Witty Tailor
- A Teachable Moment during a Visit and Saidi’s Brief Tale
- Historical Perspectives on Performing Arts
- Continuities, Changes, and Conflicts in Aesthetic Styles and in SocioPolitical Life
- Actors’ Art as Resistance, Negotiation, Mediation, and Accommodation
- Implications for Memory in Acting
- Notes
- The Poetics and Politics of Aesthetic Style and Genre and the Ibaraden Actors
- Chapter 4
- Acting and Cultural Translation
- Broader Issues of the “Traditional,” the “Modern,” the Local, National, and Global in Performance
- Promoting the Miss Kidal Beauty Contest
- Evaluating Old and New Plays
- Performance and Space
- The Fusion of Ibaraden and Troubadour Imagery in Modern Acting and Issues of Power
- Endangered but Resilient Acting and Performance: What Next?
- Acting and Cultural Translation
- Chapter 1
- Part II: The Plays
- Chapter 5
- Rural-Urban and
Nomadic-Sedentarized Encounters
- “AIDS Exists”
- The Wider Context
- Implications: Selective Cultural Memory
- Rural-Urban and
Nomadic-Sedentarized Encounters
- Chapter 6
- Disputed Gender, Relations
between the Sexes, and Embodied Performance
- The Urban Body and Body Politics in Media and Performance
- Gender and Performance in Historical and Comparative Perspective
- Note
- Disputed Gender, Relations
between the Sexes, and Embodied Performance
- Chapter 7
- Youths and Elders
- Bundles of Contradictions: Cultural Knowledge, Memory, and Authorship in Creative Dynamics between the Generations
- Age in Tuareg Performance: Historical and Contemporary Perspectives
- Youths, Elders, and Intergenerational Social Relationships
- Youths and Elders
- Chapter 8
- Religious Reflections and Social Dissonance
- Sacred Spaces and Times
- Additional Verbal Art Representations of the Coming of Islam, the Kel Essouk, and Essouk-Taddamekka
- De-Sacralized Spaces and Times
- Note
- Religious Reflections and Social Dissonance
- Conclusions
- An Ethnographic Postscript
- Bibliography
- Index
- About the Author
- Chapter 5
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