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Оглавление
- Deleuze’s Literary Theory
- Contents
- Acknowledgments
- Abbreviations
- Preface
- Translator’s Preface
- Introduction: Toward a Cartography of Art
- Art between Aesthetics and Ontology
- Is There a Deleuzian Literary Aesthetics?
- Aesthetics between a Theory of Conditions of the Sensible and an Analytic of Judgment: The Program of Transcendental Empiricism
- Aesthetics and Philosophy of Nature
- Transcendental Empiricism, Philosophy of Nature, Philosophy of Spirit: Questions of Method
- Life between the Event and the Assemblage
- Art between Aesthetics and Ontology
- Part I: Proust and Sacher-Masoch: Categories, Law, Madness
- Introduction: Four, Three, Two
- 1 The Proust of 1964: Toward a Kantian Theory of Literature
- From the Table of Faculties to the Regional Ontology of Essences
- Transcendental Empiricism: Nietzsche between the Genealogy of Morals and the Genealogy of the Faculties
- The Return to Kant: The Discovery of the Doctrine of the Sublime as True Genesis of the Faculties
- The Ontology of Essence as a Means of Constructing a Kantian Theory of Literature
- 2 Sacher-Masoch: From the Phantasy to the Event
- Literature between the Phantasm and the Imagination
- The Transcendental of Perversion
- Deleuze’s Contributions to a Theory of Masochism
- Reason and Imagination in Perversion
- Event and Phantasm in The Logic of Sense
- 3 The Proust of 1970: The Literary Machine
- The Law
- The Death Instinct
- The First Literary Machine
- 4 The Proust of 1973: The Madness of the Narrator
- From the Genesis of the Faculties to the Germination of Madness
- Philosophy of Nature I: Sexuality
- Philosophy of Nature II: The Madness of the Narrator and the Body without Organs
- Philosophy of Nature III: The Concept of the “Assemblage”
- Part II: Kafka and Bene: The Power of Literature
- 5 Kafka—Of the Real in Order to Have Done with the Law and the Imagination
- Introduction
- Kafka Contra Oedipus
- The Kafka-Rhizome
- Entrance I: Literature and Law (Dimension of the Symbolic)
- Two Versions of the Relation between Kafka and the Law
- The Statement and Power
- Pragmatics of Statements
- Assemblages and Abstract Machines
- Entrance II: The Statement and Desire (Dimension of the Real)
- The Collective Assemblage of Enunciation
- The Letters
- The Short Stories
- The Novels
- Entrance III: Against the Aesthetic (Dimension of the Imaginary)
- Minor Writing, Collective Affair
- Be a Foreigner in One’s Own Language
- Take the Materiality of Language for the Object of Desire
- The Becomings of the Writer: Delirium against the Fantasy
- Introduction
- 6 Carmelo Bene and the Real of Less
- Introduction
- The Theater of Nonrepresentation
- The Real between the Actual and the Virtual: Power/Capacity [Puissance] and Potentiality
- 7 Event and Assemblage: The Statement and the Haecceity
- Introduction
- Genesis of the Concept of the Event
- Difference and Repetition: Sense and the Problem
- Difference and Repetition: Sense and Event
- Difference and Repetition: Idea and Problem
- The Strata of the Event in The Logic of Sense
- The Individuation of Assemblages
- The Three Plateaus of the Relation Assemblage/Event
- Events as What Is Put in Play by Statements Produced by Assemblages
- A Realist Pragmatics
- The Question of Individuation and Individuality
- Vague Essences
- 5 Kafka—Of the Real in Order to Have Done with the Law and the Imagination
- Part III: Beckett and Melville: The Possibility of Literature
- Introduction: From Power to the Possible
- The Folds of Power
- Ethics between the Possible and the Virtual in The Fold
- 8 Art as Spiritualization of the Possible
- 9 Bartleby or the Formula of the Incompossible
- Introduction: Art between Critique and Clinique
- The Formula
- To Posit the Impossible: First Metaphysical Approach
- Bartleby: A Nihilistic Aristotle?
- Creation and Fabulation
- The Formula of Becoming
- Kafka and Melville: The Same Combat in the Invention of a People Who Are Missing?
- 10 Beckett and the Exhaustion of the Possible
- Introduction
- The Four Forms of the Exhaustion of the Possible
- Exhaustion of Words: Language I
- “Dry Up the Flows of Voices”: Language II
- Language III: Pure Image
- “Extenuate the Potentialities of Space”
- The Sublime Image
- Bene and Beckett: From a Theater of Less to a Theater of Exhaustion?
- The Spirit without Image and the Images of the Spirit: Thought between Cinema and Theater
- Conclusion: The Deleuzian Vitalist Chaosmos
- Introduction: From Power to the Possible
- Works Cited
- Index
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