Детальная информация
Название | Hegel on Tragedy and Comedy: New Essays. |
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Авторы | Alznauer Mark. |
Выходные сведения | Albany: State University of New York Press, 2021 |
Коллекция | Электронные книги зарубежных издательств ; Общая коллекция |
Тематика | Greek drama (Tragedy) — History and criticism — Theory, etc. ; Greek drama (Comedy) — History and criticism — Theory, etc. ; EBSCO eBooks |
Тип документа | Другой |
Тип файла | |
Язык | Английский |
Права доступа | Доступ по паролю из сети Интернет (чтение, печать, копирование) |
Ключ записи | on1244625568 |
Дата создания записи | 03.04.2021 |
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- Contents
- 1 Introduction
- Notes
- I. Tragedy
- 1 The Beauty of Fate and Its Reconciliation. Hegel’s The Spirit of Christianity and Its Fate and Goethe’s Iphigenia in Tauris Douglas Finn (Villanova University)
- Goethe’s Iphigenia in Tauris
- Hegel’s The Spirit of Christianity and Its Fate
- Looking Ahead
- Notes
- 2 Two Early Interpretations of Hegel’s Theory of Greek Tragedy. Hinrichs and Goethe Eric v. d. Luft (Gegensatz Press)
- Conclusion
- Notes
- 3 Hegel and the Origins of Critical Theory. Aeschylus and Tragedy in Hegel’s Natural Law Essay Wes Furlotte (Thompson Rivers University)
- An Introduction to The Problematic Ambiguity of Hegel’s Natural Law Essay
- Immanent Critique: Fichte and the System of Coercion
- Absolute Ethical Totality: Internal Class Divisions, Dialectical Process, and Historical Development
- Contradictions of Modernity: (Absolute) Tragedy and Its Perpetual Reenactment, The Eumenides
- Conclusion: Ethical Totality, the Priority of Historical (Dialectical) Development, and Promises for Critical Social Theory
- Notes
- 4 The Tragedy of Sex (for Hegel) Antón Barba-Kay (Catholic University of America)
- Notes
- 5 Substantial Ends and Choices without a Will. Greek Tragedy as Archetype of Tragic Drama Allegra de Laurentiis (SUNY Stony Brook)
- Introduction
- The Systematic Context: Structural and Temporal Features of the Artwork
- Structural Features of Drama and of Tragic Drama
- Temporal Features of Drama and of Tragic Drama
- Dramatic Estrangement, Strange Justice, and Ancestral Strangers
- On Choosing without a Free Will
- Notes
- 6 Freedom and Fixity in Shakespeare’s Tragic Heroes Rachel Falkenstern (St. Francis College)
- Introduction
- Fixity and One-Sidedness
- Self-Reflection and Self-Determination
- Self-Expression and Self-Destruction
- Notes
- 1 The Beauty of Fate and Its Reconciliation. Hegel’s The Spirit of Christianity and Its Fate and Goethe’s Iphigenia in Tauris Douglas Finn (Villanova University)
- II. Comedy
- 7 Taking the Ladder Down. Hegel on Comedy and Religious Experience Peter Wake (St. Edward’s University)
- Aristophanes and Socrates
- Hegel and the Temporary “Triumph” of Comedy over Tragedy.
- Comedy beyond Ancient Comic Drama
- Notes
- 8 From Comedy to Christianity. The Nihilism of Aristophanic Laughter Paul T. Wilford (Boston College)
- Self-Conscious Spirit, Absolute Art, and Language
- Comedic Exultation
- The Tragedy of Comedy
- Christianity’s Divine Comedy
- Conclusion: Hegel and Strauss on the Meaning of Philosophy
- Notes
- 9 Hegel and “the Other Comedy” Martin Donougho (University of South Carolina)
- Notes
- 10 The Comedy of Public Opinion in Hegel Jeffrey Church (University of Houston)
- The Estates Assembly as Drama
- Comic Elements of the Public Education
- The Self-Destruction of Particularity
- Cheerfulness
- Laughing-With
- Conclusion
- Notes
- 7 Taking the Ladder Down. Hegel on Comedy and Religious Experience Peter Wake (St. Edward’s University)
- III. History
- 11 Hegel’s Tragic Conception of World History Fiacha D. Heneghan (Vanderbilt University)
- Introduction
- Tragic Experience
- The Logic of Tragic Situations
- Tragedy and World History
- The Tragic Experiences of World-Historical Nations and Individuals
- The Tragic Logic of the Movement of World History
- Conclusion: The Casualties of World History
- Notes
- 12 Hegel on Tragedy and the World-Historical Individual’s Right of Revolutionary Action Jason M. Yonover (Johns Hopkins University)
- Introduction
- Kant’s Hardline Rejection
- Hegel’s Two-Ingredient Recipe for Tragedy
- Hegel on a “Right of a Wholly Peculiar Kind”
- Hegel’s Philosophy of History
- The Flour to Hegel’s Theory of Tragedy: World-Historical Individuals and Collision
- The Water to Hegel’s Theory of Tragedy: World-Historical Individuals and Belatedness
- Conclusion
- Notes
- 13 Philosophy, Comedy, and History.Hegel’s Aristophanic Modernity C. Allen Speight (Boston University)
- Aristophanic Theatricality: Framing the Rise of Subjectivity
- From Tragedy to Comedy: Framing the Developmental Structure of Hegel’s Art-Historical Project
- Aristophanic History
- Notes
- 11 Hegel’s Tragic Conception of World History Fiacha D. Heneghan (Vanderbilt University)
- Contributors
- Index