Детальная информация
| Название | Suddenness and the composition of poetic thought |
|---|---|
| Авторы | Magee Paul |
| Коллекция | Электронные книги зарубежных издательств ; Общая коллекция |
| Тематика | Poetics. ; Poetry — Authorship. ; Performance poetry. ; Poétique. ; Poésie — Art d'écrire. ; Poésie-performance. ; EBSCO eBooks |
| Тип документа | Другой |
| Тип файла | |
| Язык | Английский |
| Права доступа | Доступ по паролю из сети Интернет (чтение, печать, копирование) |
| Ключ записи | on1291572876 |
| Дата создания записи | 10.01.2022 |
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| Группа | Анонимные пользователи |
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| Сеть | Интернет |
"Employing an extensive archive of interview materials with major Anglophone poets, this book uncovers how they think in the moments of composition, providing a lucid account of the links between poetic composition and live performative thinking"--.
| Место доступа | Группа пользователей | Действие |
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| Локальная сеть ИБК СПбПУ | Все |
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| Интернет | Авторизованные пользователи СПбПУ |
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| Интернет | Анонимные пользователи |
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- Cover
- Half Title
- Series Page
- Title Page
- Copyright Page
- Dedication
- Contents
- Acknowledgements
- Permissions
- Introduction
- Cognitive Constraint
- Suddenness Defined
- The Question Driving This Book
- Approach
- Notes
- Part I: Revising towards Spontaneity
- Chapter 1: We Do Not Know What We Are Going to Say Until We Have Said It
- The Split
- Not a Fast Writer
- A ‘Kind of Tightrope Walk in the Composition’
- The Length of a Moment
- Notes
- Chapter 2: ‘That’s the Illusion You’re Supposed to Get’
- ‘The Lyric’s Collective Voice’
- Telling More Than We Can Know
- In a Nutshell
- Notes
- Chapter 3: Scepticisms
- Notes
- Part II: Two Histories of Sudden Verse
- Chapter 4: Romantic Revision and Its Others
- A Sixth Sense
- What Is Revision?
- Suddenness at Last
- Notes
- Chapter 5: The Iliad and The Odyssey Were Rapidly Composed
- The Balkan Epics Were Rapidly Composed
- Critiques and Impacts
- Relevance to Written Literature?
- Coda
- Notes
- Chapter 6: The Desk as Stage
- Performing on the Page
- Author Being Multiple
- Notes
- Chapter 7: Oral Verse in Performance
- The Art of Telling Stories
- The Art of Keying One’s Audience
- The Art of Thinking by Speaking
- Speech Written Down?
- Notes
- Part III: Writing Is Speaking
- Chapter 8: Not-Quite Speech
- Parryan Literary Criticism?
- Speech-Like by Convention
- Notes
- Chapter 9: Writing as ‘Oral Dictated’
- Speaking for the Page
- Hearing while Reading
- ‘Worked Over Speaking’
- Dictation
- Notes
- Chapter 10: Consciousness as a Window of Three Seconds
- Spoken Thought
- Topic
- Notes
- Chapter 11: Song
- Notes
- Part IV: Suddenness and Art
- Chapter 12: The Split in the Archive
- Poets’ Objections to the Idea of Originality
- Notes
- Chapter 13: ‘Great Goblets of Magnolialight’
- It’s Forty Past Five
- Peleiadic Achilleus
- Email Me a Receipt
- Intensifying
- Notes
- References
- Index
- About the Author
