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Оглавление
- Cover
- Performative Memoir
- Series Page
- Performative Memoir: The Methodology of a Creative Process
- Copyright
- Dedication
- Contents
- Acknowledgments
- Preface
- Theresa
- Adrienne
- Organization of this Book
- References
- Chapter 1
- Performative Memoir
- Performative Writing
- Nostalgia
- Criteria for Performative Memoir
- Performative Memoir as a Creative Methodology
- Conducting Existential Fieldwork
- References
- Chapter 2
- The Performative Memoir as Spiritual Practice
- Spiritual Exercises of Antiquity
- Learning to Live: Attention
- Learning to Dialogue
- Learning to Die (The Death of Individuality)
- Learning to Read (Self-Mastery and Indifference to Indifferent Things)
- The Performative Memoir as Manifestation of “The Art of Living”
- The Creative Process as Spiritual Practice and the Performative Memoir
- References
- Chapter 3
- Loving Crazy
- I.
- II.
- III.
- IV.
- V.
- VI.
- VII.
- VIII.
- IX.
- X.
- XI.
- Chapter 4
- Mexican Love
- Louis Gonzalez [His last name is not Viramontes, but you’ll see how he is one of us]
- Armando Viramontes (1951–1987)
- My Father [name omitted to protect me from legal problems] (1940– )
- The second Mrs. Viramontes [the bitch my dad married after my mom died]
- Adrienne Marie Viramontes (1968– )
- Chapter 5
- Making Sense, Making Peace
- References
- Chapter 6
- The Art of Living through Performative Memoir
- Phase I: Learning to Live: Attention, Meditation, and Memorization
- Phase II: Learning to Dialogue
- Phase III: Learning to Die
- Phase IV: Learning to Read
- References
- Chapter 7
- Performative Memoir
- Theresa
- Adrienne
- References
- Selected References
- Index
- About the Authors
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