Details
| Title | Political theory and film: from Adorno to Žižek |
|---|---|
| Other creators | Fraser Ian |
| Collection | Электронные книги зарубежных издательств ; Общая коллекция |
| Subjects | Motion pictures — Political aspects. ; Politics in motion pictures. ; Aesthetics — Political aspects. ; PERFORMING ARTS / Reference. ; EBSCO eBooks |
| Document type | Other |
| File type | |
| Language | English |
| Rights | Доступ по паролю из сети Интернет (чтение, печать, копирование) |
| Record key | on1020608466 |
| Record create date | 1/23/2018 |
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| Group | Anonymous |
|---|---|
| Network | Internet |
Critically examines how radical political theory and its application to film analysis can provide insight to the aesthetic self during political upheaval and conflict.
| Network | User group | Action |
|---|---|---|
| ILC SPbPU Local Network | All |
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| Internet | Authorized users SPbPU |
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| Internet | Anonymous |
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- Political Theory and Film
- Contents
- Acknowledgements
- 1 Introduction: Political Theory and Film
- 2 Theodor Adorno: Charlie Chaplin’s Monsieur Verdoux
- 3 Walter Benjamin: Ken Loach’s Land and Freedom
- 4 Ernst Bloch: Woody Allen’s Midnight in Paris
- 5 Gilles Deleuze: Kleber Mendonça Filho’s Neighbouring Sounds
- 6 Alain Badiou: Jia Zhangke’s A Touch of Sin
- 7 Jacques Rancière: Gavin Hood’s Rendition
- 8 Julia Kristeva: David Fincher’s Fight Club
- 9 Slavoj Žižek: J. C. Chandor’s Margin Call
- 10 Conclusion
- Bibliography
- Filmography
- Index
- About the Author
