Details
| Title | Cultivating extreme art cinema: text, paratext and home video culture |
|---|---|
| Creators | Hobbs Simon. |
| Imprint | Edinburgh: Edinburgh University Press, 2018 |
| Collection | Электронные книги зарубежных издательств ; Общая коллекция |
| Subjects | Experimental films. ; Exploitation films. ; DVD-Video discs. ; Violence in motion pictures. ; Sex in motion pictures. ; PERFORMING ARTS / Reference. ; LANGUAGE ARTS & DISCIPLINES / Linguistics / General ; EBSCO eBooks |
| Document type | Other |
| Language | English |
| Rights | Доступ по паролю из сети Интернет (чтение, печать, копирование) |
| Record key | on1047549497 |
| Record create date | 8/1/2018 |
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| Group | Anonymous |
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| Network | Internet |
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- Title page
- Contents
- Figures
- Acknowledgements
- Chapter 1 Introduction
- Chapter 2 Art and Exploitation: Crossover, Slippage and Fluidity
- Chapter 3 Early Extremity on DVD: History, Precursors and Exploitation Auteurs
- Chapter 4 Weekend and Cannibal Holocaust: Art, Ballyhoo and Remediation
- Chapter 5 Salò, Or the 120 Days of Sodom and Ilsa, the Wicked Warden: Fascism, Pornography and Disg
- Chapter 6 Contemporary Extremity on DVD: Trends, Hard-core and Geographic Mobility
- Chapter 7 Michael Haneke: Glaciation, Legitimacy and Transgression
- Chapter 8 Lars von Trier: Provocation, Condemnation and Confrontation
- Chapter 9 Conclusion
- Bibliography
- Index
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