Details
| Title | Philosophy and cultural identity. — A grand materialism in the new art from China |
|---|---|
| Other creators | Wiseman Mary Bittner |
| Collection | Электронные книги зарубежных издательств ; Общая коллекция |
| Subjects | Art, Chinese — Philosophy. ; Art chinois — Philosophie. ; Livres numériques. ; e-books. ; Art: History — Contemporary (1945 ; Art: Asian — Chinese. ; Electronic books. ; Art, Chinese — Philosophy ; EBSCO eBooks |
| Document type | Other |
| File type | |
| Language | English |
| Rights | Доступ по паролю из сети Интернет (чтение, печать, копирование) |
| Record key | on1176320038 |
| Record create date | 7/13/2020 |
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| Network | Internet |
"Material matters in new Chinese art, which presents its subjects through the directness and immediacy of its material. This book applies theories by Osborne and Danto to new Chinese art to show how artists are working below the level of language to make each work of art prove that it is art"--.
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| ILC SPbPU Local Network | All |
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| Internet | Authorized users SPbPU |
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| Internet | Anonymous |
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- Contents
- Illustrations
- Exhibitions
- Acknowledgments
- Introduction
- Part I CRISIS
- Chapter One Subversive Strategies in Chinese Avant-Garde Art
- Chapter Two The Role of Expression in Chinese Art
- Part II WORKING THROUGH ART
- Chapter Three A Grand Materialism
- Chapter Four Gendered Bodies in Contemporary Chinese Art
- Part III THINKING THROUGH ART
- Chapter Five Art and China after 1989
- Chapter Six According to What? and Bound Unbound: Lin Tianmiao
- Chapter Seven Mao’s Legacy and Danto’s Definition
- Bibliography
- Index
- About the Author
