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Title Language play and creativity ;. — Laugh like an Egyptian: humour in the contemporary Egyptian novel. — v. 5.
Creators Dozio Cristina
Collection Электронные книги зарубежных издательств; Общая коллекция
Subjects Arabic fiction — History and criticism.; Egyptian wit and humor — History and criticism.; Arabic literature — History and criticism.; humor in fiction; Humor.; Sprachliche Variation.; Ägyptische Literatur.; LANGUAGE ARTS & DISCIPLINES / Linguistics / General.; Contemporary Egyptian Literature.; Humour (fukāha).; Linguistic Variation (Modern Standard Arabic / Egyptian Colloquial Arabic).; Wise Fool.; EBSCO eBooks
Document type Other
File type PDF
Language English
Rights Доступ по паролю из сети Интернет (чтение, печать, копирование)
Record key on1269269165
Record create date 9/27/2021

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Egyptians are known among the Arabs as awāld al-nukta, Sons of the Jokes, for their ability to laugh in face of adversity. This creative weapon has been directed against socio-political targets both in times of oppression and popular upheaval, such as the 2011 Tahrir Revolution. This book looks at the literary expression of Egyptian humour in the novels of Muḥammad Mustajāb, Khayrī Shalabī, and Ḥamdī Abū Julayyil, three writers who revive the comic tradition to innovate the language of contemporary fiction. Their modern tricksters, wise fools, and antiheroes play with the stereotypical traits attached to the ordinary Egyptians, while laughing at the universal contradictions of life. This ability to combine local and global culture, literary traditions and popular references, makes them a stimulating read in an intercultural perspective. Combining humour studies and literary criticism, this book examines language play and narrative creativity to understand which strategies craft Egyptian literary humour. In doing so, it sheds light on the contribution of humour to literary innovations of Egyptian fiction since the late Seventies, while adding new writers to those who are considered the masters of humour in the Arab novel.

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