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"Using a concept she calls authenticity maneuvering to explain how clubs, clubbers, and DJs navigate authenticity, branding, and commercialism, Danielle Hidalgo argues that the strategic use of a rave ethos bolsters acceptance in dance music spaces while also making commercial practices less visible or problematic"--.
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Table of Contents
- Cover
- Half Title
- Series Page
- Title Page
- Copyright Page
- Dedication
- Contents
- List of Figures
- List of Figures
- Acknowledgments
- Introduction
- The Project and Its Significance
- The Literature and Methods Used: “I Just Believe House Is the Mother of Them All”
- The Data Collection
- Chapter Summaries
- Notes
- The Project and Its Significance
- Chapter 1: Experiencing Bliss: Spaces of Respite, Release, and Transcendence in Dance Music
- PLUR and Contemporary Dance Music
- The “Love” Messaging
- Rethinking Our Temporal Dimensions: “Leaving time behind for a little while”
- Slipping into Another Space, Even Momentarily
- Crossing Boundaries: “Where You’re Absolutely Free”
- Leaving Better than We Came: Timelessness as Necessary
- Where the Dance Music Industry Fails
- The “Bro” Side of Dance Music v. Its DIY History and House Music
- Conclusions
- Notes
- Chapter 2: The Blessed Madonna, Honey Dijon, and Peggy Gou: Different Kinds of DJs
- The Blessed Madonna: A Different Kind of DJ
- Honey Dijon: #honeyfuckingdijon Takes on Dance Music
- Peggy Gou: The Age of Gou-Mania
- Conclusions
- Notes
- Chapter 3: Contemporary Dance Music Spaces and Their Dance Floors: A Snapshot
- NYE 2017/2018
- NYE 2018/2019
- A Postrave Era: Making Sense of Today’s Dance Music Spaces
- PLUR and the Dance Floor: Then and Now
- Connecting on the Dance Floor: “God isn’t silent. God is loud”
- Warm, Loving Interactions with Strangers
- Leaving Better than We Came
- Curbing Harassment on the Dance Floor
- How Alcohol and Harassment Operates
- Dancing into Timelessness
- Curbing Harassment on the Dance Floor
- Less or No Connection on the Dance Floor
- New Technologies: Smartphones On and Off the Dance Floor
- Celebrity DJs and the Dance Floor
- Conclusions
- Notes
- Chapter 4: “We Still Believe. Do You?”: Navigating and Challenging the Business of Contemporary Dance Music
- Navigating the Business of Contemporary Dance Music
- How Social Media Transformed Club Culture
- DJs’ Branding: Making Money on Fame
- “We Still Believe. Do You?”: Challenging the Business of Contemporary Dance Music
- Authenticity Maneuvering in Practice
- DJs Using Their Platform for Activism, Personal Empowerment, and Love: “Making the World that I Am Advocating For”
- Love Yourself and Each Other
- “Music, For Me, Is Like Love”
- Taking Breaks and Paying Attention to Mental Health
- Authenticity Maneuvering in Practice
- Conclusions
- Notes
- Navigating the Business of Contemporary Dance Music
- Conclusion
- From Social Justice to Spectacle
- Steve Aoki’s Cake-ing
- The Spectacle and Influencers
- The Spectacle and Peggy Gou’s Superstardom
- “Never for Money, Always for Love” and Other Challenges
- Making Sense of Dance Music Today
- “Never for Money, Always for Love” in Practice
- A Model for Creating a “Positive Environment”
- “Money, Not Love” in Practice
- Selling Out in Riyadh and Elsewhere: “Taste” as an Explanation for Choosing Money Over Love
- The Future of Dance Music: Productive Possibilities and Ongoing Challenges
- Another Way: 59 Rue de Rivoli
- “We Still Believe” This Must be the Place
- Notes
- From Social Justice to Spectacle
- Bibliography
- Index
- About the Author
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