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Название Technology and Language: interdisciplinary open-access scientific journal. — Т. 6, № 1 : Mediaopera. – 2025.
Организация Санкт-Петербургский политехнический университет Петра Великого
Выходные сведения Санкт-Петербург: СПбПУ, 2025
Коллекция Общая коллекция
Тип документа Другой
Тип файла PDF
Язык Английский
Права доступа Свободный доступ из сети Интернет (чтение, печать, копирование)
Дополнительно Новинка
Ключ записи RU\SPSTU\edoc\76290
Дата создания записи 17.06.2025

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  • Contents
  • Premiering a Mediaopera. On-Site. Online.
    • REFERENCES
  • Opera as an Act of Love
  • Everything You Wanted and Didn’t Want to Know about Mediaopera: A Cryptophonic Memoir
    • INTRODUCTION
    • EINSTEIN & MARGARITA
    • THE PLANET PI
    • PINK MOUSE
    • THE DUEL
    • THE ALPHABET
    • APPENDIX
    • REFERENCES
  • From Eisenstein to Einstein: The Ultimate Guide to Mediaopera
    • WHAT IS MEDIAOPERA?
    • FROM MONTEVERDI TO WAGNER
    • IN SILENT-FILM HELL
    • SERGEI EISENSTEIN
    • FELLINI, HERZOG AND VISCONTI: OPERA IN A CLASSIC ART HOUSE
    • THE MEDIUM IS THE MEDIUM: OPERA AND VIDEO-ART
    • OPERA AS SOUNDTRACK
    • A HIDING PLACE FOR THE MUSICAL AVANT-GARDE
    • PSYCHEDELIC METALS BY FAUSTO ROMITELLI
    • MEDIAOPERA-EXPERIMENTS IN RUSSIA
    • IRAIDA YUSUPOVA
    • THE PINK MOUSE
    • IN LIEU OF A CONCLUSION
    • REFERENCES
  • Mediaopera and Digital Opera: Musical Conceptualism and Modern Technologies
    • INTRODUCTION. OPERA AS A MEDIA GENRE AND SPACE FOR NEW TECHNOLOGIES
    • DISCUSSION. MEDIAOPERA, OR MUSICAL CONCEPTUALISM IN RUSSIA: ART AS AN IDEA
    • RESEARCH RESULTS. MEDIAOPERA: BETWEEN EARLY RUSSIAN AVANT GARDE, POSTMODERNISM AND MASS CULTURE
    • DISCUSSION OF THE RESULTS. MEDIAOPERA AND DIGITAL OPERA: CONTINUED DEVELOPMENT OR DIFFERENT FORMS OF THE GENRE
    • CONCLUSIONS ABOUT THE GENRE’S PROSPECTS
    • REFERENCES
  • The Piano as Therapeutic Participant in the Drama of Pink Mouse
    • INTRODUCTION
    • TIMING: 0.00
    • TIMING: 0.22
    • TIMING: 0.40
    • TIMING: 0.50
    • TIMING: 1.57
    • TIMING: 2.50
    • TIMING: 3.01
    • TIMING: 3.48
    • TIMING: 5.15
    • CONCLUSION
    • REFERENCES
  • And the Band Plays On – Remarks for an Aesthetics of Persistence
    • A PARADOX OF PHILOSOPHICAL AESTHETICS
    • CHEMISTRY, TECHNOLOGY, AND THE SENSATION OF TONE
    • HERMANN VON HELMHOLTZ AND CHARLES IVES
    • THEREMIN, SYNTHESIZER, AND MEDIAOPERA
    • REFERENCES
  • Recombinant Agency. Divine Comedy Meets Upcycled Comics Art in Pink Mouse, a Meta-Mediaopera
    • INTRODUCTION
    • DIVINE COMEDY AND MEDIA REVENANTS
      • Alice in Wonderland, or the Male Gaze Revisited
      • Digital Afterlife
      • Humanity’s Sublimated Voice
    • UPCYCLED COMICS ART
      • Pink Mouse’s Ontological Status
      • Mixed-Reality: Heroes/Villains
      • IP and AI
    • META-MEDIAOPERA
      • Recombinant Agency
      • Human Skeuomorphs
      • Pink. Mouse.
    • CODA
    • REFERENCES
  • Speculative Technologies: Further Dreams of Technical Reason
    • REFERENCES
  • „About Orffyreus' gift I have been keeping, / at the same time laughing and weeping.“ The Perpetuum Mobile – A Small Phantasmagoria from the Eighteenth Century
    • A TECHNICAL DREAM OF REASON
    • IMPRESARIO OF THE MACHINE
    • CLIMAX AND ANTICLIMAX
    • SOMETHING FOR NOTHING
    • REFERENCES
  • Nikolai Chernyshevsky's Perpetuum Mobile – From Technical to Social Utopia
    • REFERENCES
  • The Electronic Matchmaker: Finding the Optimal Couple in the Late USSR
    • ВВЕДЕНИЕ
    • “ОТ НАРОДНОГО ХОЗЯЙСТВА – К ЖИЗНИ НАРОДА”
    • ОТКРЫТИЕ ОДИНОЧЕСТВА В СССР
    • РОЖДЕНИЕ “ЭЛЕКТРОННОЙ СВАХИ”
    • “ЭЛЕКТРОННАЯ СВАХА” ВОЗВРАЩАЕТСЯ
    • ЗАКЛЮЧЕНИЕ
    • СПИСОК ЛИТЕРАТУРЫ
    • REFERENCES
  • Philosophy of Technology from a Cyberfeminist Perspective
    • INTRODUCTION
    • FEMINIST EPISTEMOLOGY
      • Peano Curve
      • Gendered Metaphysics
      • Whose Knowledge?
      • Posthuman Becoming
      • Quantum Ontology?
    • SOCIAL HISTORY OF ALGORITHMS AND PRACTICES OF FEMININE LABOR
      • Invisible Labor
      • Weaving as Technology
      • From Mega Machines to the Feminization of Technology
    • RE-PROGRAMMING REALITY
    • CULTURAL SOFTWARE
    • REFERENCES
  • Unstable Users: Coordinating the Configuration of Digital Objects and Projects
    • INTRODUCTION
    • INSTRUMENTS, INTERFACES AND INSTITUTIONS: THE WAYS OF ORDERING DIGITAL OBJECT
    • DIGITAL HUMANITIES PROJECTS: IS THERE A USER FOR THE SCIENCE AND TECHNOLOGY
      • Digital Humanities (DH) Projects as a milieu
      • Institution, Infrastructure, Instrument: how to Imagine an Instruction and Interface
      • Unstable User in Digital and Humanities Context
    • APPENDIX
    • REFERENCES
  • Speculative Trainers: Large Language Models and Techniques of Affirmative Speculation
    • INTRODUCTION
    • LLMS TODAY
    • ROLEPLAYING BEYOND THE HELPFUL ASSISTANT
    • LLMS AS CO-SPECULATIVE (IN PRINCIPLE)
    • TRAINING AFFIRMATIVE SPECULATION WITH LLMS
    • FIELDSHIFTING: OPENING PORTALS TO ADJACENT
    • POSSIBLE WORLDS
    • SYMPOSIA FROM ELSEWHERE: SPECULATIVE CONGRESSES AND ADJACENT EPISTEMES
    • RHIZOMATIC INQUIRY: CO-RESEARCHING AND
    • SPECULATIVE FILLING
    • FICTIONAL DIVERSIONS: ENJOYING THE HALLUCINATIONS
    • THEORETICAL FABULATION: STIMULATING FIELD INVENTION, DREAMING NEW THEORIES
    • CONCLUSIONS
    • ANNEX
    • REFERENCES
  • Содержание

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