Details
| Title | Entitled: discriminating tastes and the expansion of the arts |
|---|---|
| Creators | Lena Jennifer C., |
| Collection | Электронные книги зарубежных издательств ; Общая коллекция |
| Subjects | Arts and society ; Art and popular culture ; Art, American. ; Art and popular culture. ; Arts and society. ; EBSCO eBooks |
| Document type | Other |
| File type | |
| Language | English |
| Rights | Доступ по паролю из сети Интернет (чтение, печать, копирование) |
| Record key | on1109390023 |
| Record create date | 7/18/2019 |
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| Group | Anonymous |
|---|---|
| Network | Internet |
"This book examines the process by which the American arts expanded, over the course of more than a century, to include not just "classical" arts like opera and portraiture, but forms of folk, vernacular, and popular culture"--.
| Network | User group | Action |
|---|---|---|
| ILC SPbPU Local Network | All |
|
| Internet | Authorized users SPbPU |
|
| Internet | Anonymous |
|
- Cover
- Title Page
- Copyright Page
- Contents
- Preface
- Acknowledgments
- 1 The Invention of American Art, 1825–1945
- Museums and Symphony Orchestras
- Rationalizing Governance
- The Second Wave: Ballet, Modern Dance, Theater, and Opera
- Early Life Exposure
- What Is an “American Art”?
- Heading into the Great Depression
- 2 The WPA and the Opening of the American Arts
- The WPA’s Impact
- A Cultural Democracy
- The Long Arm of WPA Influence: Artists, Organizations, Administrators
- Conclusion
- 3 The Museum of Primitive Art, 1940–1982
- Nelson Rockefeller, Art Collector
- Primitive and Modern: Frontiers of Legitimacy in the Midcentury
- Inventing the Field of Primitive Art
- Influencing the Postcolonial Art World
- Move to the Met
- Primitive Art and Artistic Legitimation
- Conclusion
- 4 Opportunity Structures
- Economic, Political, and Technological Change
- Changes to Regulations
- Changes within Arts Nonprofits
- Changes to Funding
- Conclusion
- 5 Expansion: 1900–2000
- Building a Model of Aesthetic Legitimation
- Conclusion
- 6 Cultural Appropriation
- Cosmopolitanism
- Slumming
- Monet’s Kimono
- Chinatown Plaid
- Conclusion
- 7 Conclusion
- Twentieth-Century American Artistic Legitimation, in Brief
- Trajectories
- Aesthetic Continuities across Legitimizing Fields
- Alliances with Legitimate Fields
- People Power
- Appropriation from Outside
- Never Art: Kitsch
- Partial Legitimation: Designer Toys
- Appendix: Methodological Appendix
- Notes
- Works Cited
- Index
